Her smash hit superhero film Wonder Woman is set during World War I.

But when she swung by the Oscars at Los Angeles’ Dolby Theatre on Sunday, Gal Gadot evoked the decade following the Great War.

The 32-year-old brought back the 1920s in a slinky sparkling Givenchy gown that dripped with fringe, playing up the flapper chic with slicked-down hair styled by Mark Townsend for Dove.

Fringe benefits; When she swung by the Oscars at Los Angeles’ Dolby Theatre on Sunday, Gal Gadot evoked the 1920s in a Givenchy gown

Gal’s sleeveless outfit was a glittering silver until about mid-thigh, and from there down to the hem was a curtain of darker metallic fringe.

She posed up a storm with her besuited businessman husband Yaron Varsano, with whom she shares daughters Maya, six, and Alma, 11 and a half months.

Looking fabulous: The 32-year-old brought back the 1920s in a slinky sparkling gown that dripped with fringe, playing up the flapper chic with slicked-down hair

When you got it: Her gown featured a neckline that plunged nearly to her flat midriff, and she accessorized with a dazzling drop necklace

Cute couple: She posed up a storm with her besuited businessman husband Yaron Varsano, with whom she shares daughters Maya, six, and Alma, 11 and a half months

Gal played the title character in this past year’s Wonder Woman, which was was left without a single Oscar nomination this year.

She took the stage alongside Armie Hammer of Call Me By Your Name to present the Academy Award For Best Makeup And Hairstyling.

The prize went to Kazuhiro Tsuji, David Malinowski and Lucy Sibbick for the historical drama Darkest Hour, which was directed by Joe Wright.

This was the team behind the massive feat of rendering Gary Oldman unrecognizable and transforming him into Winston Churchill.

Glamorous duo: She took the stage alongside Armie Hammer of Call Me By Your Name to present the Academy Award For Best Makeup And Hairstyling

Who got it: The prize went to Kazuhiro Tsuji, David Malinowski and Lucy Sibbick for the historical drama Darkest Hour, which was directed by Joe Wright

Backdrop: This was the team behind the massive feat of rendering Gary Oldman unrecognizable and transforming him into Winston Churchill

And Gal certainly ensured that she looked the part in terms of her own makeup and hair, modeling a glamorous beauty look and perfectly-coiffed locks courtesy of celebrity stylist Mark Townsend, who sought inspiration from the 1920s when pulling together the look.

‘Gal’s look was inspired by her Givenchy silver gown and Tiffany diamond and aquamarine necklace – we decided to put the hair up so that we could really highlight the jewel!’ he explained.

‘The final look has an Art Deco feel – just a hint of 1920’s – without being costumey.’

Eager to ensure that not a single hair would fall out of place on the night, Mark used the Dove Compressed Micro Mist Extra Hold Hairspray, describing the product as the ‘perfect’ option for the actress because it ‘holds like crazy’ but ‘won’t flake’ if he needs to brush it out and change up her look.

Sunday night’s Academy Awards are being hosted by Jimmy Kimmel, who also served as compere for the ceremony last year.

The nominees for Best Picture include Martin McDonagh’s Three Billboards Outside Ebbing, Missouri and Guillermo Del Toro’s The Shape Of Water.

Stardom: Gal played the title character in this past year’s Wonder Woman, which was was left without a single Oscar nomination this year

Also overlooked: Armie Hammer starred last year in Call Be By Your Name, which is nominated for three Oscars – but not for Armie

Dapper: Armie teamed a burgundy suit with a black tie and white dress shirt

Jordan Peele’s acclaimed Get Out, Joe Wright’s Winston Churchill biopic Darkest Hour and Greta Gerwig’s directorial debut Lady Bird also have Best Picture nods.

So too does Luca Guadagnino’s Call Me By Your Name, which has a screenplay by A Room With A View director James Ivory of Merchant Ivory fame.

Paul Thomas Anderson’s historical romance drama Phantom Thread is also up for Best Picture nod, as does Steven Spielberg’s Pentagon Papers film The Post.