Jennifer Lopez was seen in a new video for Coach on Friday morning. The siren was seen dancing on a rooftop in a black sequined gown and high-heeled black boots.

The 54-year-old singer was holding a silver purse from Coach in the clip from the brand which she represents.

Her long highlighted hair was worn down and she was made up with bronze tones as she shook her hips like she did when she was a Fly Girl on TV’s In Living Color.

In the caption she talked ‘courage to be real’ for Coach’s Wear Your Shine campaign.

In the original campaign video, Lopez narrates the scene: ‘Don’t do this, don’t do that. Be fun, be sophisticated. Dance, don’t dance.’

Lopez wears Coach’s high-neck sequin dress and the metallic Tabby shoulder bag 20 in the campaign.

This comes after she graced the cover of ELLE’s Women In Hollywood issue.

Jennifer Lopez was seen in a new video for Coach on Friday morning

The siren was seen dancing on a rooftop in a black sequined gown and high-heeled black boots

The 54-year-old singer was holding a silver purse from Coach in the clip from the brand which she represents

The icon spoke about how she ‘might work until she is 90.’

‘I see myself working [as long as] I want to. I don’t know what that age is. It might be 70, it might be 80, it might be 90, I don’t know,’ said the wife of Ben Affleck.

‘But I know that it’s there for me if I want it and I want to create it. That has always been the mindset that I’ve had: to never let anybody put me in a box because of where I was born, where I’m from, what age I am, anything like that. Those boundaries don’t exist for me.’

And she wants variety.

She said: ‘I want to tell the gamut of stories. Uplifting, empowering stories, and entertaining stories, and gangster movies. I want to do everything that men do. I want to do all of it.’

She doesn’t like the notion that women only want to see love stories or romantic comedies. ‘I think that’s insulting.’

‘Women, she points out, have been leaders of countries. We have run empires; we have done all of these things throughout history, and we should tell all of those stories.’

On making projects for and about women, she added: ‘People were laying the groundwork for this for a long time. It’s just that sometimes it takes time to move these mountains and these old ideas and paradigms and shift them to a place where there’s real change.

Her long highlighted hair was worn down and she was made up with bronze tones as she shook her hips like she did when she was a Fly Girl on TV’s In Living Color

In the caption she talked ‘courage to be real’ for Coach’s Wear Your Shine campaign

In the original campaign video, Lopez narrates the scene: ‘Don’t do this, don’t do that. Be fun, be sophisticated. Dance, don’t dance’

‘We have been able to stand in our own power and say, We’re not going to be taken advantage of. We’re not just on the corners of life or on the outside of the stories. We are the stories.’

Also on the covers were Eva Longoria, Taraji P. Henson, America Ferrera and Jodie Foster, to name a few.

On the growing number of roles for older women, Jennifer said: ‘People have realized that women just get sexier as they get older.

‘They get more learned and more rich with character. All of that is very beautiful and attractive, and not just physically, but on the inside, the beauty that you gain as you get older, the wisdom you gain.’

This comes after she graced the cover of ELLE’s Women In Hollywood issue

Her new project is the album and film The Is Me… Now which comes out February 16, 2024

During the interview, Jennifer also admitted she wishes she knew certain things before breaking out in Hollywood.

She said: ‘One of those things was to be more particular with my choices. And I didn’t have that luxury, being Latina. I didn’t get called in for everything someone who wasn’t Latina would get called in for. I got called in for very specific things.

‘As I started getting more leads here and there, I should have pulled back.

‘I took that mindset with me instead of going, “I should only work with certain kinds of directors that I really want to work with. I should choose this material in a different way.”

‘I just wasn’t as particular as I could be, I think. And if I [could] start over, I think I would’ve done that. I would’ve known that the director is really the helm of the project when you’re acting.

‘Just like in singing, the producers you work with are very important.

‘I knew that with music, but I didn’t quite understand it as much when I was younger about directors.’